March 5, 2009
Recently we witnessed the sad spectacle of a bunch of hoodlums belonging to a saffron brigade chasing and thrashing girls in a Mangalore pub in full media glare on the pretext that drinking by women was “not our culture’. There were plenty of protests and a public discourse followed (a woman minister now faces legal action for describing the assault as an attempt at “Talibanising” our society) but not a word was spoken against that not-our-culture assertion, which somehow left an impression that probably the hoodlums were right, howsoever silly may that seem in the land of Kamasutra, Tantra and Ganikas (remember Amrapali and Vasantasena?) Not to forget the dope-loving Lord Shiva, who all Hindu virgins are suppose to worship to be blessed with a good husband and the perpetually doped out Lord Indra, who presides over Heaven and should figure in the Guinness books for a record on chasing women!
With such a colourful and rich cultural heritage it would actually surprise if our past records didn’t show up women cheering up their evenings with an occasional drink or two or our menfolk so unimaginative or downright stupid as to deny themselves the pleasure of wine and women concoction. And guess what we found? There are plenty of delicious accounts!
Let us start with the profound and end up with the profane as the heady cocktail of wine and women takes its effect.
Sita and Draupadi
Our religious texts like Ramayana and Mahabharat are replete with references of royal ladies having gala evenings with generous use of wine. No less than Sita, the ideal wife and role model for all Hindu women, has been described sharing a drink with her Lord in the Ashok vatika after the demon king Ravana is killed! Yes, you read that right. She and her lord celebrated much as we would do in our age and time with, presumably, a cup of maireya, a ‘spiced liquor’, for that was her favourite drink.
(Ref: Economy and Food in Ancient India by Om Prakash; Wine in Ancient India by D.K. Bose and ‘Alcoholic fermentation and its products in ancient India’ by K.T.Achaya-who remains the first reference point for all food writers in India)
The books referred tells us further that maireya was a variety of Sura (Soma, that heavenly nectar that only the very privileged had access to and used in Vedic rituals, had presumably disappeared by then), a distilled liquor prepared from Guda (jaggery).
Sita even promises goddess Ganga, thousands jars of wine while accompanying her husband during his banishment thus: "Oh Goddess, be pleased, when we come back we shall propitiate you with thousands jars of wine."
We are told the women of monkey-king Sugriva were fond of wine. Queen Tara has been described in her intoxicated state with ‘uncertain gait and dancing eyes’. Yes, you would be right to check to closet of Ravana’s harem. There are passages that talk of the “charming women of demon king Ravana’s harem—sleeping beauties under the influence of liquor”.
Mahabharata has its own share. Here we quote: “Draupadi along with Subhadra, lovely sister of Krishna, went for a picnic on the bank of river Yamuna and enjoyed wine in the company of other women of the harem”. (M.L.Varadpande in “Women in Indian Sculpture”)
“Virtuous ladies like Sudesna (queen of King Virat with whom Draupadi stayed during her ‘agyantvas’) drank wine”. (Bose)
Soma and songs
Going further back in time, to the Vedic period and thereafter, when women had high status in society, when they studied and debated philosophy with men openly and participated equally in all important rituals, we find women had access and they enjoyed wine.
As far the heavenly nectar Soma—the very first wine known to India which had a prominent role in certain Vedic rituals apart from social use--is concerned no specific passage is found talking about women drooling to its effect (it was a very exclusive and expensive drink in any case and sourced from certain high mountains, the eponymous plant whose juice was extracted for preparing Soma, disappeared soon enough and heard no more) a Rig Vedic hymn lays bare the relation:
“Seven women stir thee with their fingers
blending their voices in a song to thee, you remind
the sacrificer of his duties at the sacrifice." (Bose)
As we travel through time (800 BC to 300 BC), we learn Sura (poor country cousin of Soma) had become a regular part of life, having found a place in several rituals. Om Prakash (referred earlier) writes that “it was served to women when a bride arrived at the bridegroom’s place” and that “women who performed a dance at the time of marriage were also served Sura”. It was also “served to the wives of forefathers in the Anavastakya rite”.
Elsewhere we find mention of a ritual in which young girls irrigating the Ashoka tree with ‘mouthfuls’ of wine (probably it had something to do with fertility rites).
What to make of another custom that talks of “drenching the limbs of young bride by sprinkling wine on her”! (Varadpande)
Wine and wonder
Coming down to the Christian era, we find wine turning even more irresistible part of life as a new discovery was made of its use. For, now we find wine being associated with beauty! Actually it was believed that wine imparted a ‘special charm’ to women and ‘heightened their beauty’ (how true!).
Om Prakash writes that during the Gupta period (300 AD to 750AD) “it was believed that intoxication gave a special charm to women; ladies of royal families, therefore, enjoyed drinking”.
He goes on to quote several instances:
“In the Malavikagnimitra, Iravati indulges in drinking. Indumati, the queen of Aja liked to receive wine from the mouth of her husband. The Mandasore inscription mentions a phrase, ‘like the cheeks of the intoxicated women’. The after effects of drinking on women are described in the Kumarasambhava. The Harshacharita also mentions beautiful ladies who had drunk wine. Kumarila mentions that in Ahicchatra (modern Ramnagar in Bareilly) and Mathura even Brahmin women indulged in drinking.”
“The Matsya Purana describes Krishna drinking with sixteen thousand ladies and doesn’t regard him as a sinner. Ajanta paintings also depict scenes of drinking such as wines being brought in large jars.”
“The Brahspati Smriti also lays down that drinking should be avoided by those women whose husbands are away.”
“The staple food grain of the people in north was wheat and women there drank liquors.”
“In Kumarila’s time Brahmin women in Ahicchatra (modern Ramnagar in Bareilly) and Mathura drank wine.”
“Even respectable women considered drinking wines a necessary embellishment.”
If these instances don’t make drinking of liquor by women a regular and essential part of our culture what would?
Nevertheless, we continue our journey to post Gupta Period (750 to 1200 AD). “Even some Brahmin youths wasted their time in company of dancing girls who were addicted to drinking. The sons of Harischandra by a Kshatriya wife are called madhupayina (addicted to drinking). Some women are described as intoxicated with drinking. Women liked the varuni variety of wine.”
“Medhatithi also says that while Brahmin women did not drink wine at festivals, Kshatriya and other women, to whom drinking was not forbidden, indulged in excessive drinking on festive occasions. Courtesans and Tantrikas were, no doubt, addicted to drinking.” (Bose)
‘Ornament of women’
Set aside those serious texts. Consider the literature, which has even more compelling descriptions indicating that not only was wine and women made an alluring concoction it was even glorified.
Kalidas too often spoke of ladies whose lips were scented with perfume of liquor! The Katha Sarit Sagara thus describes the drinking hall of King Naravahan Dutta. “It was full of goblets, made of various jewels, which looked like so many expanded lotuses and strewn with so many flowers, so that it resembled a lotus bed in a garden; and it was crowded with ladies with jugs full of intoxicating liquor, who made it flash like the nectar appearing in the arms of Garuda. There they drank wine- that snaps those fetters of shame that bind the ladies of the royal households, wine the essence of Love’s life, the ally of merriment!”
“In Mrichchkoti, we find that profligate youths came to the house of a woman, to drink iced wine. In Ratnabali we see at the ceremony in honour of the God of Love, citizens both male and female being drunk, reveling in song and dance.”
“We find wine is called ‘ornament of woman’. (Bose)
Women in Sene land
All the accounts given so far relates primarily to north India. What about southern part of India (part of the territory where Ram Sene, the hoodlums who said it was not-our-culture operate)? Well, going by the evidence, it is very clear that southern India (the Dravidian territory) was far more liberal and generous towards women even when it came to drinking. “Drinking wine after partaking of pepper and betal leaves was the general practice among the ladies of the south”. (Om Prakash)
Achaya agrees. The only passage in which he talks about drinking habits in south India, he wrote in his scholarly article in 1991 we have already referred to goes like this: “…..a favourite drink of women was munnir or triple-liquid, a mixture of tender coconut water, sugar-cane juice and palmyra juice, which may or may not have been fermented. Pre-Aryan society in the south showed no prejudice against (women) consuming liquor.”
Sculpture
Well, that is not all. Indian sculpture too provides its own share of evidence that well, you can’t really keep wine and women away from each other. We are told it was the Mathura school of sculpture that made drinking scenes popular in temple architecture. The National Museum has quite a few of sculptures that show woman with a wine cup.
At Sanchi (first century of Christian era), the earliest sculptures of Indian art, shows men and women drinking.
Yoginis and Ganikas were, of course, allowed their wine.
Wine and salvation
Ah, coming to the voluptuous Yoginis of our temples of love, lust and salvation. Whoever found that ‘magical route’ to salvation called Tantra must be laughing from the Heaven (surely he/she would have got salvation!). Tantra made women and wine essential parts of nirvana (Tantra didn’t spare even austere Buddhism or Jainism) and changed the face of our holy temples forever. India became the land of Kamasutra in sculpture too. Khajuraho is only one example. They are there in every nook and corner of the country.
One last quote to end. “Tantrikas gave religious sanctions to the use of wine and meat and the company of women, and associated pleasure with salvation in their teachings.” (Om Prakash)
Sculptures in national museum
1. woman serving liquor to pot-bellied man Kuber (kushan period)
2. young girl drinking from wine glass (kushan period)
3. drunk courtesan being helped